
Congratulations! You’ve been selected as a validity rater for the datasets behind emotional AI technologies.
Reenacting laboratory data collection processes, Welcome to Set invites you behind the scenes of machine learning, where data becomes drama. This experimental documentary explores how emotion, suspicion, and politics intertwine within the algorithmic practices of security.






“In this experimental short, Cyan Bae reenacts scientific processes of data recollection that serve to train AI machines in emotion recognition patterns. The light and playful tone of these processes – involving performances, interviews and ratings – contrasts heavily with their application: to implement algorithmic practices of security. Welcome to Set is a politically charged film about how technology shapes our world.”
– Cristina Álvarez López
55th International Film Festival Rotterdam (NL)
Cyan Bae
Inés Dominguez del Corral
Ildiko Flipse
Charlotte Willerscheidt
Almas Mahmood
Hyewon Jeong
Yaxin Xu
Sara Amzian
Francesco Ragazzi (Operational Images) & Cyan Bae (Pingping Productions)
Elka Smith
Cristina Lavosi & Hattie Wade
Cyan Bae
Anastasija Piroženko
Sergio González Cuervo
Sergio González Cuervo
Mayıs Rukel
Cyan Bae
Suzan van Baal
Evangelia Kranioti
Ruben van de Ven
Anonymous Participant J
Ildikó Zonga Plájás | Albert Elings | Daeun Lim | Julia Sokolnicka | Inaya Basu | Minji Ma | Jeamin Cha | Kevin B. Lee | Sunwoo Jung | Jae Pil Eun | Inup Park | Hyeonjeong Nes Joo | Minsang Damiaan Kim | Gang Buron-Yi | Sumi Im | Junwoo Lee | Marijn Hoijtink | Juha Vuori | Lauren B. Wilcox | Rocco Bellanova | Jelena Belic | Yoav Galai | Madeline Swainhart | Alice West | Yen Kim
Institute of Political Science, Leiden University
Chaeyuen Bae (they/she) is a visual artist and researcher based in the Netherlands. Working primarily with moving image, Cyan explores felt experiences and embodied knowledge intertwined with socio-technical systems.
WORKS
Chaeyuen Bae (they/she) is a visual artist and researcher based in the Netherlands. Working primarily with moving image, Cyan explores felt experiences and embodied knowledge intertwined with socio-technical systems.
WORKS